This phenominal Gig and road ready stack is a workhorse. I'm really upset that I have to put it out here for sale, but I know one of you will give my baby a good home.
It's a steal at 1000.00, but I'm open to discussion... Drop me a line if you're interested.


1 - GK 700RB-II (head unit)
1 - Gator rack mount road case
1 - GK 410 SBX
1 - GK 115 SBX

This powered mixer has a rating of 900 watts and has 10 channels. I've since bought a bigger amp and mixer and no longer use or need this one. I paid over $750.00 for this brand new. I'm asking $350.00 O.B.O. Would consider trading for a pair of Peavey P-15's (you know the kind that are plastic light weight) speakers straight up.

Click here for song samples, project photos and fun pics:myspace.com/dansmithagency $30/HOUR STUDIO TIME. Pre-Pay ONLY. Beats starting at $25. Visa, MasterCard, Discover and American Express Credit/Debit cards accepted. Call Dan Smith 816-214-6088.

DAN SMITH AGENCY Recording Studio has enjoyed rapid growth in business since becoming a commercial enterprise in November of 1997. I’ve recorded hundreds of musical acts including rap, hip-hop, R&B, rock, punk, country, blues, jazz, bluegrass, Hispanic, Celtic, Asian, gospel, folk, voice-overs, spoken word, etc.

Some projects of note that were recorded and mixed here include; Heet Mob/Soul Project’s song “I See Ya”, featured in the score for the Hollywood Movie Brown Sugar, staring Taye Diggs, Sanaa Lathan, Mos Def and Queen Latifah (check out Scene 15 on your DVD!), Emiel Cleaver’s E=MC which is one of earBuzz.com’s “favorite CDs of the year”, Prophett Maine’s The Rapper CD, Bulldog Front’s (later Go Generation) Fashionable Anarchist CD, Mark Reynolds’ Drosophilia CD and the self-titled Lust-R-Tones CD, all praised in The Pitch Weekly. The Death Ray Angels’ Patriotica CD, engineered at DSA, was Timothy Finn’s favorite local Hard Rock recording of 2002 in the Kansas City Star. Priceless Diamonds, “The Boss Bitch” columnist for the Pitch Weekly, recorded her single “Booty Pop” at Dan Smith Agency. Roger Suggs a/k/a Vigalantee received very good reviews at eKConline for his A.N.I.M.A.L., $5 Lick and No Jaangle Movement CDs that were recorded here. The latter inspired Steve Penn of the Kansas City Star to devote a whole column about the positive message of the album. Recent projects include Soft Serve Assault by Mr. Fish, Don’t Sleep and Gumbo by AK, The Birth of Hurricane by Hurricane, Private Stock by Perelli, Hit That by Raul Soto (Produced by hit maker Charlie Rosario), The Movement by UnKcanny (featuring C.S.T.), Keep It Poppin by Al Slikc, Drone Boyz by BrandoShis and Ant Da Vett and all of Legal Tender Records projects for their stable of artists, including Strike Burner, Crucc Da Conn, Mr. Dave and Malice Monte. K C Star’s Jason Whitlock produced a demo here in 2006. Even the likes of former James Brown backing vocalist, Marva Whitney, and Kansas City’s “Queen of The Blues”, the late, great Annetta “Cotton Candy” Washington, recorded demo tracks here in my humble little basement.

Presently, I’m engineering about two sessions per day, often seven days a week. With this much time at the boards, I’ve learned a lot about what works to make professional sounding recordings. Hence, I’m getting a great deal of repeat and referral business. My musical background as a professional drummer and band leader for KC’s popular Riverrock band has been invaluable.

The Studio gear:

DAN SMITH AGENCY Recording Studio consists of a Roland VS-2480CD Digital Studio Workstation which includes 24-bit hard disk recording, sixteen inputs, twenty-four mixing channels with sixteen tracks per channel for a total of 384 recording tracks and eight stereo digital effect processors which include three VS8F-2 Effect Expansion Cards and one VS8F-3 Plug-In Expansion Card. PLUG-INS include: Roland Bundle; Mastering Tool Kit, Tempo Mapping Effect, Stereo Reverb, Vocal Channel Strip, Preamp Modeling and Antares Autotune VS. I use the Roland VS-CD System for custom audio CDs and can use the CD burner to back up the multi-track data from the hard drives (up to six average song files) to 700MB CDRs. Or, I can back up data to 100MB re-writable Zip Disks using my Iomega Zip Drive. I can also master to a Tascam DA-20 DAT recorder or a Tascam CD-RW5000 CD writer. I can make quick CD dubs on a Tascam CD D4000 duplicator that can dupe CDs at 4X speed. There is also a Tascam 202 MK III Dual Cassette Deck for those still working in that medium.

In addition, the Studio has Roland V-Drums / TD-10 professional drum set (upgraded with the TDW-1 Expansion Board), an Ensoniq ASR-10 sampler/sequenser keyboard, a Boss DR-5 Dr. Rhythm beat machine, an isolation booth (for vocals, instruments, amps, etc.), custom JBL studio monitors, Yamaha KS10 near field monitors, assorted mics, including two Rode NT1 condenser mics with three ART MP pre amps, AKG D112, Sure SM57, Peavey PVM 38i and four EV N/D 257A dynamic mics, a Furman HA-6A headset amp and AKG headsets.

A word about Roland Virtual Workstations:

There are many formats available these days to record. Roland revolutionized the “Studio-in-a-box” idea with the VS-880 (eight channels with 64 virtual tracks). I began my career on this beautiful little machine in 1996, its first year. It was a recorder, mixer, editor and effects rack in a box the size of a portable typewriter and it had a hard drive that could “undo” mistakes and think like a word processor. As Roland introduced each new generation of workstations, i.e.; the VS-1680 and the VS-1880, I purchased them and raised my price just a little (and the quality of recording a lot). They had more tracks, more effects, more everything. By staying with Roland, the oldest of my sessions’ data could still be imported into the new formats, keeping those old multi-track recordings from becoming obsolete. With the purchase of Roland’s new VS-2480CD (now with the new VS8F-3 Plug-In Expansion Card), I have raised the bar even higher. The flat screen monitor brings the advantages of PC based interface to the world of VS systems. Clients can see their recorded tracks and watch the process of mixing and editing. This makes it easier to communicate with the engineer as the session is produced. The Roland Virtual Studios are designed especially for audio recording, thus they excel.

These are only about 5 months old since I bought them new at Musician's Friend. Bass guitar has one slight abrasion at very end of tuning peg mount, amp has some slight abrasions on top from cat claws, not noticeable unless you are close and looking for it. Both work great, have never had any problems with them. If someone buys them both together I will throw in a Ibanez PD7 PHAT-HED bass overdrive pedal and some instrument cables for free.

l)

Preston Electronics repairs guitar amps, power amps, mixers & keyboards; most major brands of pro audio and music electronic equipment in and out of warranty. Vacuum tube and solid state. Used reconditioned equipment also for sale. See our website at www.PrestonElectronics.com for more details, or call us at (816) 537-7242.

CALIFORNIA SOUND - here is an analog distortion effect equipped with valve distortion emulation circuitry. Pronounced guitar mid-tones and deep dense lows make this device really useful in various styles of modern guitar music. California Sound uses peculiar for АМТ produced devices frequency compensated output shaping the guitar speaker tone. Due to this you can connect it not only to your guitar combo amp but also directly to mixer. Level, Low, High and Drive controls are designed for smooth and operative volume, effect, highs, lows and distortion levels adjustments.

A must for all American Classic Rock and grunge music. Develop anything from Delta Blues and Southern Rock to Seattle Post-Punk sounds.

Brand new used once to record direct in the studio. $80.00

This powered mixer has a rating of 900 watts and has 10 channels. I've since bought a bigger amp and mixer and no longer use or need this one. I paid over $750.00 for this brand new. I'm asking $350.00 O.B.O. Would consider trading for a pair of Peavey P-15's (you know the kind that are plastic light weight) speakers straight up.

120W RMS.
2 - 12" speakers.
Flexwave Evolution 5 preamp.
16 DSP effects include reverb, delay, flange, chorus, multi-effects, touch wah, rotary speaker
doubler. 3-channel operation.


Email if interested or have any questions
mr.wild_west_hero@yahoo.com

Call/Text: 913 972 2226

- Tyler

3yr old hardly used mint condition P.A.asking $6,000 will negotiate.
Includes
24 channel 150' snake
24 channel lx7 soundcraft board
2-3000 watt amps
1-4000 watt amp
dbx processor
dbx 31 band eqs (2)
dbx vocal pro and 4 channel gate
4 Cv intense subs
2 Cv intense top boxesw/ dual 15'' speakers and 2 '' drivers
Flight cases for all hardware road ready
flight case with all the speakon cables and mic cables

34 year old bassist seeks band. been playing for about 18 years, in bands for 8 or 9. good gear, reliable transportation, no baggage. available one night per week for practice, available for gigging as required. my only "blackout" nights are wednesday and sunday.

bands currently getting big play on my ipod include shiner, the life and times, season to risk, minor threat, rancid, rise against, 7 seconds, the ramones, etc.

definitely want to do something indie and/or punk-ish. no country, no metal (sorry, just not what i'm into)


willing to drive a ways for the right band - probably up to an hour in any direction from midtown.


so yeah, hit me up and let's talk.
thanks.

Gibson SG junior. $500. A steal based on collector value. Ratty guitar case included. Roland Cube60 amp. Excellent for practice $300. 816 2524083.

to start a band or join a band. Interesting in such musical stylings as The White Stripes, The Raconteurs, Kings of Leon to name a few, and much of 90's alt rock. Interested in covers and original works. Been playing guitar for about 10 years or so, (mainly real good rhythm) and have experience playing with experienced musicans in band settings. I have a small list of my own equipment, such as a mic and stand, PA system and 10" monitor, a 65w crate amp, Takamine acoustic and Epiphone Les Paul electric.

I'm 33 and have a young family, so my time can be somewhat limited, but reasonable when it comes to practice times (at least once a week) and weekend gigs now and then.

This powered mixer has a rating of 900 watts and has 10 channels. I've since bought a bigger amp and mixer and no longer use or need this one. I paid over $750.00 for this brand new. I'm asking $350.00 O.B.O. Would consider trading for a pair of Peavey P-15's (you know the kind that are plastic light weight) speakers straight up.

We are a 32 year-old staple west-coast music consumer trade magazine that recently launched itself nation wide and has adopted a free exclusive network for music professionals, AMP. Our AMP members are the only artists eligible for free printed reviews within our publication. We also offer free classifieds, gig listings, and up-to-date daily, weekly and monthly opportunities. The benefits of digital networking within a strictly professional site are limitless for music people of all genres, styles and location.

If you have any questions or need any assistance shoot me an email and I would be glad to help you out.

Big old workhorse 2000 watt peavey power amp, great for subs monitors FOH, (it's a big one)solid reliable cheap.
$250 OBO
Drew
816-392-8836

Vintage beautiful Crown D-150 ll power amp great for horns , studio monitors, whatever 150 watts per channel
Only a mere $200 OBO

Drew
816-392-8836

Preston Electronics repairs guitar amps, power amps, mixers & keyboards; most major brands of pro audio and music electronic equipment in and out of warranty. Vacuum tube and solid state. Used reconditioned equipment also for sale. See our website at www.PrestonElectronics.com for more details, or call us at (816) 537-7242.